Книги автора Bajac Quentin
Название: CENTRE POMPIDOU PHOTO COLLECTION
Жанр: Thames&Hudson
Год: 2008
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The Centre Pompidou in Paris houses the largest collection of Modern art in Europe and one of the greatest collections of twentieth-century photography in the world. This comprehensive catalogue of the photo collection features 350 images, reproduced in tritone and duotone, by nearly 300 of the most famous artists and photographers to engage with the medium--from Franti ek Drtikol, Paul Strand, Walker Evans, Constantin Brancusi, Alexander Rodchenko and Berenice Abbott, via Manuel Alvarez Bravo, Man Ray and Edouard Boubat, to Robert Mapplethorpe, Cindy Sherman, Thomas Struth, Andreas Gursky, Nan Goldin, Vik Muniz, Gregory Crewdson and Thomas Demand. It is divided into six sections, each of which is prefaced by a brief essay. Contributing scholars include Herbert Molderings (on Modernist photography), Alain Sayag (on Dada and Surrealist photography), Clement Cheroux (on «Poetic Realism»), Christopher Phillips, and Agnes de Gouvion Saint-Cyr and Quentin Bajac (on contemporary photography). This substantial and lavishly produced volume offers an authoritative perspective on twentieth-century photography as viewed through the contents of one of the greatest photographic archives in the world.
Название: Invention of Photography
Жанр: Thames&Hudson
Год: 2010
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The invention of photography was heralded in 1839 in Paris with the debut of the daguerrotype — a unique photograph produced on a silver-covered copper plate. Praised for its veracity, accuracy and its astonishingly sharp detail, the daguerrotype captured the collective imagination. Over the next half-century, photography developed rapidly, progressing from a cottage industry to a semi-industrialized business, with the phenomenal growth of portrait studios marking the medium's popular success. Photography also came to be widely used for documentary purposes such as topographical surveys, scientific investigations, and reporting, while other users championed it as an artistic practice. With the advent of the print on paper, photographic images became truly multiple and, through new methods of printing and distribution, were soon spread around the world. Through a wide range of visual material and an informative text, this study by conservator Quentin Bajac covers these developments and many others, technical and creative, in the remarkable early years of photography.
